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		<title>Corporate Affairs, a role that is becoming increasingly more strategic for companies</title>
		<link>https://agenciacomma.com/en/corporate-communication/corporate-affairs-an-increasingly-strategic-role-for-businesses/</link>
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		<dc:creator><![CDATA[Agencia comma]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 06:27:44 +0000</pubDate>
				<category><![CDATA[Corporate communication]]></category>
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					<description><![CDATA[<p>For decades, the Public Affairs have been the main tool for companies to manage their relationship with the political and institutional environment. This model worked in a context that was stable and predictable. At that time, the work was based primarily on monitoring legislation and direct dialogue with the public decision-makers. It was a role [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/corporate-affairs-an-increasingly-strategic-role-for-businesses/">Corporate Affairs, a role that is becoming increasingly more strategic for companies</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>For decades, the <a href="https://asuntosmasquepublicos.com/" target="_blank" rel="noopener">Public Affairs</a> have been the main tool for companies to manage their relationship with the political and institutional environment. This model worked in a context that was stable and predictable. At that time, the work was based primarily on monitoring legislation and direct dialogue with the public decision-makers. It was a role that was essentially reactive to specific regulatory initiatives. Today, however, that traditional approach has begun to reveal obvious limitations and is no longer sufficient to protect the interests of an organisation.</p>
<p>The environment in which companies operate has changed in a profound and rapid manner. Regulatory pressure has intensified significantly in the last few years. Political cycles have been accelerated and the centres of power are found today more fragmented than ever. To this we must add some social expectations regarding the behaviour corporate which are becoming increasingly more demanding and critical. In this new scenario, there arises a need to evolve towards the <strong><a href="https://www.corporateexcellence.org/recurso/asuntos-publicos-y-asuntos-corporativos-de-la/65890bcb-63f3-3fa8-2ed2-1cd3aa4a0107" target="_blank" rel="noopener">Corporate Affairs</a></strong>.</p>
<h2><strong>A structural change, not a fad</strong></h2>
<p>It is essential to make it clear from the outset that the role of Corporate Affairs is not merely a passing organisational trend. Nor is this simply a change in terminology for what we have always done. This is not a break with the past, but rather <a href="https://www.dircom.org/wp-content/uploads/2026/03/Corporate-Affairs-una-evolucion-natural-del-rol-del-dircom_16.02.2026_VF.pdf?utm_source=brevo&amp;utm_campaign=Envo%20Estudio%20Corporate%20Affairs%20-%20NITID&amp;utm_medium=email" target="_blank" rel="noopener">a natural evolution of the role played by the communications director</a>. It is a structural adjustment that enables companies to manage their relationship with an increasingly complex political, regulatory and social environment.</p>
<p>The main limitation of the model of traditional public affairs has not been its lack of professionalism, but rather its biased approach. For too long, this role operated in a manner relatively isolated within the company. It focused on the relationship with the administration and the legislature, but remained disconnected from other critical dimensions. I am talking about areas such as reputation, sustainability or corporate purpose, which were previously managed in independent silos. Corporate Affairs is breaking down those compartmentalised silos to provide a vision of the whole.</p>
<h2><strong>The new framework for public decision-making</strong></h2>
<p>Nowadays, public decisions are no longer made solely in the chambers of parliaments or within government departments. Today, these decisions are also shaped by social debate and public opinion. They take shape in the media, in the courts, within NGOs and in the markets. Furthermore, they unfold in digital environments that are often highly polarised. Regulation no longer comes about in isolation, but is shaped under constant public and reputational scrutiny.</p>
<p>Advocating a regulatory stance without social legitimacy is becoming increasingly ineffective. Reputational consistency has become an essential prerequisite for any institutional action. For all these reasons, Public Affairs alone fall short in their ability to respond effectively. The discipline of Corporate Affairs brings together under a single strategic framework various areas that have previously been fragmented. We are talking about a genuine connection between communication, public affairs, reputation, sustainability and regulation.</p>
<h2><strong>An intelligence system for senior management</strong></h2>
<p>The key difference with this model is that it is not limited to managing institutional relationships. Corporate Affairs acts as a genuine intelligence and foresight system at the service of senior management. It becomes a nerve centre capable of translating political and social complexity into useful business intelligence. In many companies, this integration already exists in practice, even if it is not always formally reflected in the organisational chart.</p>
<p>The market has not yet standardised its terminology, but the direction of change is clear. One of the major qualitative leaps forward compared to the traditional model is the shift from reaction to anticipation. In an environment characterised by political volatility and regulatory uncertainty, the ability to anticipate has become a key competitive advantage. The most forward-thinking companies analyse trends and develop future scenarios long before a regulation is even proposed.</p>
<h2><strong>Risks geopolitical and competitiveness</strong></h2>
<p>Leading organisations today view politics as an integral part of the business environment. It is no longer seen as an occasional external threat, but as a constant management factor. This approach of strategic foresight not only reduces risks, but also enables better decision-making. Furthermore, it strengthens the company’s institutional legitimacy in the long term. Corporate Affairs thus acts as a radar that identifies weak signals within the regulatory ecosystem.</p>
<p>There are global geopolitical risks that have a direct impact on economic activity. Disruptions to global trade and fiscal fragmentation are challenges that no management team can afford to ignore. Added to this are technological competition surrounding artificial intelligence and the vulnerability of supply chains. Even demographic and cultural pressures on talent are now a risk that must be managed through this cross-functional role. Ignoring these variables means operating blindly in a global market.</p>
<h2><strong>Direct access to the CEO and corporate governance</strong></h2>
<p>This transformation has resulted in a profound organisational restructuring. The strategic importance of the function is reflected in its reporting line within companies. According to recent data, <strong>84% of Corporate Affairs executives now report directly to the CEO</strong> or the executive committee. This indicates that the management of intangible assets can no longer be disconnected from strategic business decision-making.</p>
<p>There are different implementation models depending on the maturity of each organisation. The integrated model brings together communications, public affairs and sustainability under a single leadership. Others opt for a coordinated model, where the areas retain separate leadership but work through systematic collaboration mechanisms. What really matters is not the job title or the structure of the organisation chart, but the actual function performed. What defines Corporate Affairs is its vision for connecting the business with its environment.</p>
<h2><strong>From traditional influence to responsible lobbying</strong></h2>
<p>The very concept of influence has changed radically in recent years. For decades, personal access to public decision-makers was the main indicator of success. Today, that approach is wholly inadequate and outdated. Real influence is now measured by credibility, consistency and the quality of dialogue. The ecosystem of relevant actors has expanded significantly and includes many more players than just traditional politicians.</p>
<p>Alongside traditional decision-makers, we now see NGOs, <em>think tanks</em>, citizen platforms and digital opinion leaders. In this environment, transparency, ethics and active listening are no longer optional. They have become essential requirements for maintaining social legitimacy. A culture of responsible lobbying is now an unavoidable necessity for any serious organisation. It is about participating in public debate with sound arguments and a narrative aligned with the corporate purpose.</p>
<h2><strong>Transparency and institutional openness</strong></h2>
<p>More established companies are adopting principles of transparency and accountability as cornerstones of their corporate conduct. Some are already implementing voluntary transparency policies, such as the publication of agendas and specific codes of conduct. These practices not only bolster reputation but also enable companies to anticipate future, stricter regulatory frameworks. <a href="https://transparency-register.europa.eu/index_es" target="_blank" rel="noopener">In Europe</a> and North America, lobbying regulation continues to advance rapidly.</p>
<p>Countries such as France, Ireland and Canada already have very stringent transparency registers. In Spain, we still face the challenge of developing a clear, consensus-based framework that provides legal certainty. Beyond legislation, active listening has become standard practice within corporate affairs departments. Public perception is no longer shaped solely by communication campaigns, but by genuine consistency between what a company says and what it does.</p>
<h2><strong>The profile of the new cross-cutting leader</strong></h2>
<p>All this development is giving rise to a new profile of corporate leadership. The head of Corporate Affairs is a cross-functional leader with a high level of analytical skills and social awareness. It is not simply an manager institutional who knows the corridors of power. He is a strategic advisor to the CEO and an interpreter capable of reading the constant changes in the environment.</p>
<p>This profile tends to move away from a single specialisation and seeks a multidisciplinary background. It is common to find professionals with degrees in international relations, law, economics or political science. Key competencies include a cross-functional perspective, forward-looking analytical skills and uncompromising ethical leadership. They are organisational ‘<em>brokers’</em> who translate the external environment into internal strategic decisions for the company.</p>
<h2><strong>Future challenges and measuring the impact</strong></h2>
<p>The Corporate Affairs function is now entering a decisive phase in its development. One of the most pressing challenges is to demonstrate its tangible impact on value creation. Unlike commercial departments, results in this area do not always translate into immediate metrics. However, there is a consensus on the need to develop metrics for measuring the return on reputation and institutional influence.</p>
<p>Models such as the ‘<a href="https://es.wikipedia.org/wiki/Licencia_social" target="_blank" rel="noopener">social licence to operate</a>’ are useful tools for measuring trust and alignment with the purpose. Another major challenge is the internal fragmentation of the functions related to the intangibles. The coexistence of multiple areas under structures that are not integrated hinders coordination and dilutes the strategic focus. The future of the role lies in building models of governance that ensure a genuine collaboration between departments.</p>
<h2><strong>Technology as a strategic partner</strong></h2>
<p>Digitalisation offers new capabilities for anticipating trends and managing reputational risks. Automated monitoring tools and sentiment analysis facilitate the collection of large volumes of data. However, the real value still lies in human insight and judgement. Artificial intelligence enhances analysis, but its effectiveness depends on the strategic interpretation provided by the professional.</p>
<p>The full professionalisation of Corporate Affairs requires strengthening training pathways and ethical codes. It is necessary to establish forums for professional exchange in order to harmonise standards across sectors. The year 2026 will mark a turning point for this discipline. Organisations that continue to operate with piecemeal solutions will face increasing costs in terms of consistency and competitiveness.</p>
<p>Corporate Affairs is no longer a distant prospect, but rather a strategic response to today’s demanding environment. It serves as the essential bridge between the company and its complex political, regulatory and social ecosystem. Those who are able to align the company’s voice with the expectations of the wider environment will be the ones who bring the greatest value to the organisation in the coming years.</p>
<h5>*Article written by Daniel Ureña, founding partner and chairman of NITID</h5>
<p><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-32483" src="https://agenciacomma.com/wp-content/uploads/Corporate-Affairs-Daniel-Urena-Quote-EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/Corporate-Affairs-Daniel-Urena-Quote-EN.png 1450w, https://agenciacomma.com/wp-content/uploads/Corporate-Affairs-Daniel-Urena-Quote-EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/Corporate-Affairs-Daniel-Urena-Quote-EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/Corporate-Affairs-Daniel-Urena-Quote-EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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	            data-home="https://agenciacomma.com/en/"></div><p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/corporate-affairs-an-increasingly-strategic-role-for-businesses/">Corporate Affairs, a role that is becoming increasingly more strategic for companies</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
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		<title>The story that inflates the bubbles: of the irrational exuberance of the past to the new narrative of AI</title>
		<link>https://agenciacomma.com/en/specialized-communication/the-new-narrative-on-ai/</link>
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		<dc:creator><![CDATA[Ignacio Domingo]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 07:15:14 +0000</pubDate>
				<category><![CDATA[Specialized communication]]></category>
		<category><![CDATA[communication strategy]]></category>
		<category><![CDATA[storytelling]]></category>
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					<description><![CDATA[<p>&#160; The bubbles that fuel periods of financial speculation take shape long before prices collapse. Sometimes they are mere trial balloons, but on other occasions they appear to be grounded in reality. In any case, these bubbles arise from ideas. Before accounting imbalances or credit excesses—the triggers of stock market crises—accumulate, they take root in [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/specialized-communication/the-new-narrative-on-ai/">The story that inflates the bubbles: of the irrational exuberance of the past to the new narrative of AI</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>The bubbles that fuel periods of financial speculation take shape long before prices collapse. Sometimes they are mere trial balloons, but on other occasions they appear to be grounded in reality. In any case, these bubbles arise from ideas. Before accounting imbalances or credit excesses—the triggers of stock market crises—accumulate, they take root in the investment climate through a collective narrative that seeks to convince people of a radically different future in which the classic rules of asset valuation no longer apply.</p>
<p>Do investors tend to suffer from low self-esteem? Are they simply the target of speculative greed on the part of certain market gurus seeking profits? Do they sometimes forget to value assets in the short term, to look beyond the immediate horizon, or to take a long-term view of their investment portfolios? Quite often—and not infrequently—the answer seems to be yes, judging by the rapid spread of episodes of irrational exuberance that have occurred since the middle of the last century. The IMF, for example, has recorded 414 currency crises, 200 sovereign debt crises and 151 banking crises. Dozens of them every decade.</p>
<p>It is true that most are local or regional. They appear to be limited in scope. But we must not underestimate their propensity for chaos. Because there have been ten instances of financial instability on a global scale since the oil crisis, <a href="https://www.linkedin.com/pulse/triple-borrasca-inversora-ia-aranceles-y-seguridad-europea-ajgxe/?trackingId=Wlf7oSHKQrudfKG4z5EPGQ%3D%3D" target="_blank" rel="noopener">some accompanied by global recession and all by stock market crashes</a>, such as that of the 1973–75 period and its seismic aftershocks in the 1980s. Almost without a break, the Latin American debt crisis emerged. Another period of stress with widespread geographical repercussions that lasted a long decade until the Tequila Effect was overcome, which depressed the Mexican peso and spread to the markets and several banking systems. Or Black Monday in 1987, with synchronised falls from Hong Kong to every stock exchange on the planet, and the <em>crunch</em> in Japan two years later, which ushered in three long decades of economic stagnation and deflation in what was then the world’s second-largest GDP.</p>
<p>Before the end of the 20th century, there was still time for competitive devaluations of Asian currencies to take place and, almost in parallel, that of the Russian rouble, which resulted in five prime ministers in two years before Vladimir Putin came to power.</p>
<p>More recent —and even more global — have been the <em>dot-com</em> of 2000, with origins in the US and spreading recession in Germany and the credit crisis of 2008 with the nationalisation of Lehman Brothers and suspension of trading on the Stock Exchange in Moscow due to the freefall into the depths of hell of its share price. It was like watching the world upside down: the paradise of the free market buying with federal funds a a45&gt; bank of investment private and the former USSR preventing the collapse of trading in capital. But it was not the last major systemic crisis. The European debt crisis of 2012, which was on the verge of bury the euro, and the Great Pandemic of 2020 caused by COVID -19 also led to economic contractions.</p>
<h2>Common themes in the story</h2>
<p>The story that has accompanied all of them has not been exactly the same. However, it contains common threads. The narrative that takes root in the markets not only persuades the investors, but also extends into the public arena. Analysts, banks, the media and political leaders end up reaching a consensus which seems to confirm that structural change is inevitable and is underway.</p>
<p>The 2013 Nobel laureate in Economics, <a href="https://www.eexcellence.es/entrevistas/con-talento/robert-j-shiller-qnecesitamos-democratizar-las-finanzasq" target="_blank" rel="noopener">Robert Shiller,</a> described this phenomenon as <em>narrative economics</em>, based on the idea that the stories circulating in society directly influence economic behaviour and investment decisions. When a narrative gains sufficient traction — whether it be a transformative technology, a new financial model or a seemingly unstoppable economic cycle — it can become the oxygen that fuels any bubble.</p>
<h2>The warning about irrational exuberance</h2>
<p>One of the most famous concepts associated with them emerged as an institutional warning. In 1996, <a href="https://es.wikipedia.org/wiki/Alan_Greenspan" target="_blank" rel="noopener">Alan Greenspan</a>, then Chairman of the Federal Reserve, publicly wondered whether the financial markets were displaying “irrational exuberance that was inflating stock market valuations beyond their fundamentals”. The expression became a benchmark for understanding speculative cycles. Paradoxically, the warning did not dampen market enthusiasm. Over the following years, the Nasdaq continued to rise, driven by the tech narrative.</p>
<p>Until it burst, the dot-com <em>bubble</em> was the example most visible of how a story can dominate investor sentiment. The internet promised to radically transform the economy, eliminate intermediaries and generate new forms of productivity. Technology companies began to gain value more due to their potential rather than for their actual profitability. Shiller explained it in his a46&gt; influential book <a href="https://www.investopedia.com/terms/i/irrationalexuberance.asp" target="_blank" rel="noopener"><em>Irrational Exuberance</em></a>: “the markets can enter into dynamics collective where optimism feeds feeds back into and in which each rise confirms the dominant narrative, and that narrative continues to attract new investors”. In 2000, the Nasdaq <em>crashed</em> and the narrative changed with the same speed with which it had been built.</p>
<p>In the years leading up to the 2008 financial crisis, a widely accepted dogma also took hold: house prices were a structurally safe asset. This assumption justified an extraordinary expansion of mortgage lending. From so-called <em>subprime</em> loans to complex financial instruments. They were dubbed “toxic assets” and became a permanent fixture on bank balance sheets. They were vast in scale following years of excessive lending and, above all, highly dangerous due to the dubious recoverability of the loans granted. They imploded when the credit cycle began to deteriorate and the international financial architecture revealed its grave fragility.</p>
<p>Very few investment voices—including, amongst others, <a href="https://en.wikipedia.org/wiki/Jeremy_Grantham" target="_blank" rel="noopener">Jeremy Grantham</a> and <a href="https://es.wikipedia.org/wiki/Nouriel_Roubini" target="_blank" rel="noopener">Nouriel Roubini</a>—warned several months in advance that the US property market was in the grip of a bubble and that a correction was inevitable. To no avail. Because the prevailing narrative continued on its optimistic course.</p>
<h2>Spain and the rhetoric of bricks</h2>
<p>In Spain, the property bubble also had a very clear rhetorical dimension. Over the years, a mantra became firmly established in political speeches, industry reports and everyday conversations: that property was always a sound investment and its prices never fell. This narrative served both an economic and a cultural function. It justified a growth model based on construction and reinforced the perception of housing as the safest asset for family savings. The logic was simple and powerful: building created jobs, jobs drove demand, and demand sustained prices.</p>
<p>So, when the international financial crisis spread to the European banking system, that dynamic quickly faded. The once-stable engine of growth became the most serious vulnerability in the recent history of the eurozone’s fourth-largest economy.</p>
<p>The narrative pattern of bubbles thus follows a recurring pattern:</p>
<p>· <strong>Innovation or structural change</strong>: a technology or economic model emerges that promises to change the rules of the game.<br />
· <strong>Expansion of capital and credit</strong>: markets mobilise resources to capitalise on the opportunity.<br />
· <strong>Consolidation of the dominant narrative</strong>: analysts and the media reinforce the growth narrative.<br />
· <strong>Decoupling of expectations and fundamentals</strong>: valuations become detached from economic reality.<br />
· <strong>Abrupt shift in narrative</strong>: when results fail to meet expectations, the narrative is reversed.</p>
<p>Furthermore, <a href="https://www.linkedin.com/pulse/el-p%C3%A9ndulo-del-mercado-vuelve-marcar-riesgo-de-burbuja-agenciacomma-f9nte/?trackingId=%2BAIDSnHYTpmrET3mOGCg7A%3D%3D" target="_blank" rel="noopener">on rare occasions they erupt due to a lack of information</a>. Rather, they collapse when the narrative underpinning the optimism ceases to be credible. The new narrative—that of today’s AI—is beginning to follow in its wake. It is a technology that is transforming entire sectors, from business productivity to scientific research, and is triggering a massive wave of investment in companies involved in AI development.</p>
<p>To make matters worse, the voices are growing louder once again setting off the alarms once more. Top executives from firms in the investment and private banking assure that the climate for investors could be underestimating the impact of the conflict in Iran following a correction in the stock market which has become apparent on Wall Street in February, prior to the escalation of military tensions in the Middle East, due to the persistence of certain values linked to AI unleashed with excessive use of credit.</p>
<p>There are warnings that the market is once again functioning as a storytelling machine. And with good reason. After all, financial bubbles are not merely economic phenomena. They are also narrative phenomena. As history shows, stories are also traded.</p>
<p><img decoding="async" class="aligncenter size-full wp-image-32460" src="https://agenciacomma.com/wp-content/uploads/narrativa-IA-Quote-interior-EN-Ignacio.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/narrativa-IA-Quote-interior-EN-Ignacio.png 1450w, https://agenciacomma.com/wp-content/uploads/narrativa-IA-Quote-interior-EN-Ignacio-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/narrativa-IA-Quote-interior-EN-Ignacio-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/narrativa-IA-Quote-interior-EN-Ignacio-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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		<title>When we stop listening to one another: 2026 Edelman Trust Barometer and how insularity is undermining trust in Spain</title>
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		<dc:creator><![CDATA[José Manuel Resúa]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 12:19:30 +0000</pubDate>
				<category><![CDATA[Corporate communication]]></category>
		<category><![CDATA[communication agency]]></category>
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					<description><![CDATA[<p>&#160; The distance between us and others doesn’t always begin with an open conflict. Sometimes it starts almost imperceptibly: we stop challenging our assumptions, we stop listening, and we assume that the person opposite us won’t understand us or, worse still, doesn’t deserve our trust. Once that dynamic takes hold, understanding one another becomes much [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/when-we-stop-listening-to-one-another-2026-edelman-trust-barometer/">When we stop listening to one another: 2026 Edelman Trust Barometer and how insularity is undermining trust in Spain</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
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<p>The distance between us and others doesn’t always begin with an open conflict. Sometimes it starts almost imperceptibly: we stop challenging our assumptions, we stop listening, and we assume that the person opposite us won’t understand us or, worse still, doesn’t deserve our trust. Once that dynamic takes hold, understanding one another becomes much more difficult. And that is <strong>precisely</strong> what the latest edition of the <a href="https://www.edelman.com/sites/g/files/aatuss191/files/es/2026-03/2026%20Edelman%20Trust%20Barometer%20Espan%CC%83a.pdf" target="_blank" rel="noopener">Edelman Trust Barometer</a> describes: a society that is more inward-looking, more reluctant to trust those who are different and, consequently, finding it harder to maintain shared values, public discourse and progress.   </p>
<h2><strong>From polarisation to insularity</strong></h2>
<p>The report highlights a clear shift: whilst in 2025 the debate was characterised by <strong>polarisation</strong> and social discontent, in 2026 the central issue is a different one: insularity. That is to say, the reluctance or refusal to trust anyone different from oneself, whether because of their values, the sources they believe in, their approach to social issues, or their background and lifestyle. In Spain, according to the report, 75% of the population subscribes to this mindset of withdrawal.  </p>
<p>What the Barometer highlights is that mistrust is taking on an identity-based dimension, ceasing to be merely a defensive reaction and becoming a barrier to understanding. Insularity stifles progress. And not only because it hinders <strong>coexistence</strong>, but because it blocks any possibility of building shared solutions in societies that are becoming increasingly complex and fragmented.  </p>
<h2><strong>Spain remains trapped in mistrust</strong></h2>
<p>If we look at the data on confidence for 2025, Spain barely shows any improvement. The overall index rises from 44 to 45 points, a rise of negligible significance. The data is revealing because it does not indicate a collapse, but rather of a stagnation that persists. We remain far from a recovery solid of the bond between citizenship and institutions.   </p>
<p>Even so, there are some interesting nuances. In Spain, confidence in businesses is rising slightly, the media and the government, whilst NGOs are falling. “My employer”, furthermore, rises to 69 points and is consolidates its position as the institutional actor with the best relative position. In addition to this, the study highlights that this year all institutions, except for NGOs, are perceived as more competent and more ethical. These are positive signs, yes, but insufficient to speak of a a50&gt; genuine change of cycle. The overwhelming dominant feeling continues to be one of an enormous fragility of confidence.     </p>
<h2><strong>The company is holding out but is not coming out of it unscathed</strong></h2>
<p>This relative improvement in companies’ standing should not be interpreted as a clear-cut victory. The report itself shows that confidence across the various business sectors is falling across the board in our country. The most striking declines are occurring in manufacturing, consumer goods, healthcare and entertainment. And the financial sector, which is particularly relevant to many public and corporate debates, remains at a low rating: 46 out of 100. In other words, companies retain a comparative lead over other institutions, but they do so on an eroded footing.    </p>
<p>Here is an important read on c<a href="https://agenciacomma.com/en/corporate-communications/" target="_blank" rel="noopener">orporate communication.</a> For many citizens, business remains a more practical, accessible or credible point of reference than other stakeholders. But that position is not set in stone. Legitimacy is no longer taken for granted; rather, it must be built, demonstrated and constantly renewed.  </p>
<h2><strong>Pessimism is also a form of mistrust</strong></h2>
<p>Mistrust does not merely undermine relationships with institutions or with those who hold different views. It also dampens expectations for the future. Only 13% of Spaniards believe that the next generation will be better off than the current one, nine percentage points fewer than in 2025. This figure reflects a society that not only harbours doubts about the present, but is also beginning to doubt that the future will be any better.   </p>
<p>And it is not just a pessimistic outlook on the economy. When the system is perceived as biased, distant or incapable of correcting inequalities, it weakens as well the idea that it is possible to move forward together. </p>
<h2><strong>The battle for the truth in an oversaturated environment</strong></h2>
<p>Added to this erosion is information disorientation. The study reveals a significant decline in exposure to differing political viewpoints. In Spain, only 41% say they obtain information at least once a week from sources with a political stance different from their own – a drop of 14 percentage points from the previous year. We are less exposed to differing viewpoints and, as a result, more easily reinforce our own biases.   </p>
<p>At the same time, fears are growing about <strong>misinformation</strong> and its ability to sow internal division. In an environment of digital platforms, rapid consumption and endless <em>scrolling</em>, the truth is at a disadvantage when competing against impact, oversimplification or noise. And this creates a clear opportunity for corporate communications and public affairs: to provide context, rigour, education and solid references amidst an increasingly disintermediated conversation.  </p>
<p><a href="https://www.telecinco.es/personajes/angeles-blanco/" target="_blank" rel="noopener">Ángeles Blanco</a>, a presenter on Informativos Telecinco, summed it up well during the presentation of the report when she pointed out that we tend to treat social media as news outlets, when in reality they function primarily as entertainment platforms. In this context, newsrooms must strengthen their analysis, fact-checking and contextualisation. That is why corporate communications today also have the opportunity and the obligation to help steer the debate, not to distort it.  </p>
<h2><strong>Mediation as a new requirement for companies and leaders</strong></h2>
<p>In the face of this entrenched isolation, the report highlights the need for ‘trusted mediators’: individuals capable of building bridges between groups that mistrust one another. In Spain, all institutions are expected to take on this role, but the report’s conclusions identify CEOs and employers as the guarantors or architects of this mediation. </p>
<p>In times of disengagement, a sense of connection becomes increasingly valuable, and the public expects business leaders to set an example, listen, and engage constructively with those who criticise or mistrust the company. In fact, 75% believe it is effective for CEOs to engage constructively with critical groups, and 69% believe that, when making decisions, they should consult people with different values and backgrounds. </p>
<p>The media, governments and NGOs are also expected to play a clear role. In the case of the media, the demand is very specific: to devote equal time and coverage to different viewpoints on major issues and to write accurate headlines that are neither exaggerated nor fear-mongering. It is a direct call to restore the fundamental role of information mediation.  </p>
<h2><strong>Communicating also means building bridges</strong></h2>
<p>All of this places communication at the heart of the matter. Not as a mere embellishment or a tool for amplifying messages, but as the foundation of trust. Because in a society that is turning in on itself, communicating effectively means more than simply being right or visible. It means helping to create common ground.   </p>
<p>The report itself notes that people trust those who are open-minded and do not try to change them, and those who are transparent about their differences. Trust, therefore, is not restored by sweeping disagreements under the carpet and forgetting them, but by learning to deal with them honestly. </p>
<p>And this is where “my employer” is particularly well placed to extend this mediation to the entire workforce, through training in conflict resolution and genuine opportunities to work with people who think differently. The company thus ceases to be merely an economic entity and becomes, in addition, a space for coexistence. </p>
<p><a href="https://www.linkedin.com/in/evapavo/" target="_blank" rel="noopener">Eva Pavo</a>, OHLA’s corporate director of communications and branding, summed it up in a simple yet apt phrase: “Mistrust hinders progress”. And Jordi Sevilla, former chairman of Red Eléctrica, added that mistrust is not always a bad thing; the problem lies in mistrusting those who are not like me, because then human and social progress becomes unfeasible. </p>
<p>Perhaps that is the key lesson of the <em>Edelman Trust Barometer 2026</em>: that restoring trust is not just about improving metrics, but about rebuilding a willingness to listen to one another. That is how it works in personal relationships. It is the same in public discourse. And in that arena, corporate communication has far more to say than it sometimes realises.   </p>
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		<title>Changing the narrative: investment, artificial intelligence and the power of narratives</title>
		<link>https://agenciacomma.com/en/corporate-communication/changing-the-narrative-investment-ai-and-the-power-of-narratives/</link>
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		<dc:creator><![CDATA[Cristina Rubio]]></dc:creator>
		<pubDate>Wed, 11 Mar 2026 07:31:29 +0000</pubDate>
				<category><![CDATA[Corporate communication]]></category>
		<category><![CDATA[communication strategy]]></category>
		<category><![CDATA[financial communications agency]]></category>
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					<description><![CDATA[<p>&#160; Last week, in this blog, we reflected on how artificial intelligence is beginning to redefine not only how information is produced, but also who is involved in the process that makes it possible. In the context of 8 March, International Women&#8217;s Day, we addressed an increasingly evident issue: if technology is designed in environments [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/changing-the-narrative-investment-ai-and-the-power-of-narratives/">Changing the narrative: investment, artificial intelligence and the power of narratives</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Last week, in this blog, we reflected on how artificial intelligence is beginning to redefine not only how information is produced, but also who is involved in the process that makes it possible. In the context of 8 March, International Women&#8217;s Day, <a href="https://agenciacomma.com/en/corporate-communication/notes-on-ia-and-communication-in-the-context-of-8m/" target="_blank" rel="noopener">we addressed</a> an increasingly evident issue: if technology is designed in environments that lack diversity, it runs the risk of reproducing—and even amplifying—existing gender inequalities.</p>
<p>In recent days, various studies have shown how some artificial intelligence systems reproduce gender patterns present in society. The latest report published by LLYC, <a href="https://www.articulo14.es/violencia-contra-las-mujeres/la-ia-no-es-neutral-esta-ensenando-a-las-chicas-a-agradar-y-a-los-chicos-a-liderar-20260304.html" target="_blank" rel="noopener">Espejismo de Igualdad</a> (The Illusion of Equality), reveals that certain AI models tend to suggest leadership roles or technical careers for men, while women are more often associated with profiles linked to caregiving or empathy.</p>
<p>This phenomenon brings back to the table a key issue for the field of communication and reputation: data matters, but so does the narrative that is built around it. Precisely along these lines is one of the most interesting conclusions of the study conducted by eToro on women and investment: <a href="https://forbes.es/economia/885412/el-32-de-las-mujeres-dice-tener-confianza-o-mucha-confianza-en-su-conocimiento-sobre-inversion-segun-etoro/" target="_blank" rel="noopener">Study on the profile of female investors in Spain</a>.</p>
<h2><strong>When the problem is not trust, but rather the narrative</strong></h2>
<p>For years, the gender gap in investment has been explained with a seemingly simple argument: that women &#8220;lack confidence&#8221; to invest. This diagnosis has been repeated in reports, media analyses and public speeches until it has become almost an accepted explanation.</p>
<p>However, the data tells a different story. The study, based on the opinions of 1,000 women in Spain, directly challenges this narrative. According to the research, 32% of those surveyed say they are <strong>confident</strong> or very confident in their <strong>knowledge</strong> of <strong>finance</strong> and investment. The largest group—40%—falls somewhere in between, while only 8% say they have no confidence at all.</p>
<p>More than a widespread lack of security, which is reflected the data is a prudent and thoughtful attitude towards investment. And that difference in nuance is not insignificant.</p>
<h2><strong>The financial responsibility is already there.</strong></h2>
<p>One of the most striking findings of the study is that, in fact, women already play a central role in day-to-day financial management.</p>
<p><strong>41% of women say they are solely responsible for daily household expenses.</strong> In addition, 32% are primarily responsible for family savings and investments, percentages that are much higher than those attributed to their partners.</p>
<p>This reality contrasts with their lesser presence in financial markets. <a href="https://www.cnmv.es/DocPortal/Publicaciones/Informes/Articulo_InversoresMinoristas.pdf?utm_source=chatgpt.com" target="_blank" rel="noopener">Data from the CNMV</a> show that only 26% of individual accounts investing in IBEX 35 securities are held by women.</p>
<p>The gap, therefore, does not appear to be due to a lack of ability or financial responsibility, but to more complex factors related to economic culture, public representation and the dominant narrative frameworks.</p>
<h2><strong>The impact of public discourse</strong></h2>
<p>Beyond the data, the study also analyses how they influence the messages public messages influence perception of women about investment.</p>
<p>The results are revealing. When respondents are presented with the idea that women lack confidence to invest, 14% say that this message directly discourages them from doing so. In addition, 28% say they feel judged, 25% feel frustrated, and 19% feel patronised.</p>
<p>On the contrary, when it is pointed out that female investors achieve better results than men, 51% say that this fact increases their motivation to invest. Among those who do not currently invest, one in four say that this recognition would spark their interest in learning more about investing.</p>
<p>It is clear that the narrative is not neutral. The way in which women&#8217;s relationship with investment is described can directly influence their participation.</p>
<h2><strong>Diversity and technology: a strategic imperative</strong></h2>
<p>However, technology alone does not guarantee more equitable outcomes. As we pointed out in our blog last week, technological systems can also reproduce existing biases if those who design and develop them do not represent the diversity of society.</p>
<p>Something similar is happening in the financial sector. The real imbalance lies in visibility and representation. If the future of investment is increasingly linked to technology and artificial intelligence, it is essential that women participate actively in these areas. Otherwise, there is a risk that the lack of representation will also spread to the most strategic areas of the sector.</p>
<p>From this perspective, diversity is not only a matter of fairness, but also a factor that improves model design, risk assessment and the resilience of financial ecosystems.</p>
<h2><strong>Change the narrative to change participation</strong></h2>
<p>Ultimately, the debate on the gender gap in investment cannot be reduced solely to technical or economic issues. It also has a cultural and narrative dimension.</p>
<p>While the prevailing discourse has for years emphasised women&#8217;s supposed shortcomings in relation to investment, the data suggests that this narrative is not only inaccurate, but may also be contributing to maintaining the gap.</p>
<p>The combination of financial education, greater visibility of role models, and new technological tools can help to redefine this scenario.</p>
<p><img decoding="async" class="aligncenter size-full wp-image-32384" src="https://agenciacomma.com/wp-content/uploads/relato-en-comunicacion-cita-Cristina-Rubio-EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/relato-en-comunicacion-cita-Cristina-Rubio-EN.png 1450w, https://agenciacomma.com/wp-content/uploads/relato-en-comunicacion-cita-Cristina-Rubio-EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/relato-en-comunicacion-cita-Cristina-Rubio-EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/relato-en-comunicacion-cita-Cristina-Rubio-EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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		<title>Who designs the data defines the narrative: notes on AI and communication in the context of 8M</title>
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		<dc:creator><![CDATA[Agencia comma]]></dc:creator>
		<pubDate>Wed, 04 Mar 2026 07:10:04 +0000</pubDate>
				<category><![CDATA[Corporate communication]]></category>
		<category><![CDATA[communication objectives]]></category>
		<category><![CDATA[communication strategy]]></category>
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					<description><![CDATA[<p>&#160; Every 8 March, we reflect on leadership, equality and power. In 2026, perhaps the strategic question for our sector will be different: what role are women playing in constructing the narratives produced and amplified by artificial intelligence? Because AI does not only automate processes. It also generates content, prioritises messages, segments audiences, and builds [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/notes-on-ia-and-communication-in-the-context-of-8m/">Who designs the data defines the narrative: notes on AI and communication in the context of 8M</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Every 8 March, we reflect on <strong>leadership</strong>, <strong>equality</strong> and <strong>power</strong>. In 2026, perhaps the strategic question for our sector will be different: what role are women playing in constructing the narratives produced and amplified by artificial intelligence? </p>
<p>Because AI does not only automate processes. It also generates content, prioritises messages, segments audiences, and builds reputation. It intervenes, in a direct manner at the heart of the work of communication.  </p>
<p>In this new environment, it is not enough to simply be present in the teams. It is important to ask who is leading the technological integration, who is defining its narrative criteria, and who occupies the expert space when it comes to digital transformation. </p>
<h2><strong>The technological gap exists and shapes the narrative</strong></h2>
<p>In Spain, there are 1,022,600 specialists in Information and Communication Technologies (ICT), representing 4.7% of total employment, slightly below the EU average of 5% (Technological Employment Report 2025, 2024 data). Of that total, <strong>only 19.6% are women</strong>. </p>
<p>The European Union has set itself the target of reaching 20 million ICT specialists by 2030 (1.75 million in Spain) within the framework of the <a href="https://www.ontsi.es/es/publicaciones/indicadores-decada-digital-2025" target="_blank" rel="noopener">Digital Decade</a> (Digital Decade 2025 Indicators). However, if the proportion of women does not increase in strategic areas—<strong>AI</strong>, <strong>data</strong>, <strong>cybersecurity</strong>—the gap will not only persist but will become more entrenched in areas of greater influence. </p>
<p>This is no minor detail for our sector. If the tools that are redefining communication are designed in predominantly male environments, it is reasonable to ask how they are being <strong>trained</strong>, what <strong>biases</strong> they incorporate, and <strong>what narratives they prioritise</strong>. </p>
<p>Artificial intelligence learns from data. Unfortunately this data will reflect the society that generates it. </p>
<h2><strong>AI and women: an impact that is not neutral</strong></h2>
<p>The effects of technology on women are not abstract either. More than 73% of women worldwide have been exposed to or experienced some form of violence on the Internet (<a href="https://www.unwomen.org/es/noticias/comunicado-de-prensa/2025/11/la-violencia-digital-se-esta-intensificando-pero-casi-la-mitad-de-las-mujeres-y-ninas-del-mundo-carecen-de-proteccion-juridica-frente-al-abuso-digital" target="_blank" rel="noopener">UN</a>, <em>Combating online violence against </em><em>women and girls</em>). In the European Union, nine million women have experienced online violence since the age of 15 (European Agency for Fundamental Rights, FRA).  </p>
<p>90% of victims of non-consensual dissemination of intimate images are women (Report by the UN Special Rapporteur on online violence). In Spain, 19.5% of women between the ages of 16 and 74 have been harassed at some point in their lives, and 85.8% of the perpetrators are men (European Survey on Gender-Based Violence 2022, Government Delegation against Gender-Based Violence). </p>
<p>Furthermore, 84.8% of the victims of a cybercrime recorded in 2023 were minors under the age of 18 and 96% of those investigated or arrested for these crimes were men (Ministry of the Interior, Report on crimes against sexual freedom 2023).</p>
<p>AI does not create this reality, but it may be amplifying it: sexual deepfakes, automation of image dissemination, algorithmic viralisation of hate speech&#8230; The study <em>Violence against women, girls, boys and adolescents in the digital sphere</em> (Ministry of Equality, 2025) shows how these new forms of cyberviolence disproportionately affect women and minors. </p>
<p>How does this impact communication? Algorithms don&#8217;t just distribute content: they decide what we see first. And what gets amplified becomes the <strong>dominant narrative</strong>.  </p>
<h2><strong>Communication: a feminised profession, but who is leading the transformation?</strong></h2>
<p>In Spain, corporate communication, journalism and public relations have a very high female presence at the grassroots and intermediate levels. It is a profession with a <strong>woman&#8217;s touch</strong>. </p>
<p>However, this should lead us to ask ourselves: who is leading the integration of artificial intelligence in agencies and departments? artificial intelligence in agencies and departments? Who defines the ethical standards for its use? Who pilots technological innovation internally? To whom are attributed the contents about AI and digital reputation?</p>
<p>In an ecosystem where artificial intelligence automates newsrooms, optimises headlines, predicts behaviour of audiences and redefines metrics of impact, mastering the tool implies mastering decision-making and, therefore, the narrative will adapt to its programmers.</p>
<p>And therein lies the risk: that in a sector that is predominantly female at its core, the technological layer (and, therefore, strategic and narrative power) will once again be concentrated in male profiles. And this is not due to a lack of talent—which has been more than proven—but rather to the <strong>structural inertia</strong> that persists. </p>
<h2><strong>Sufficient references to lead the positioning</strong></h2>
<p>The question is not whether there are women prepared to lead the conversation on artificial intelligence in communication. The question is whether the sector—and the media ecosystem—is placing those voices where they belong: at the centre of the debate. Because when we talk about AI applied to reputation, content generation, process automation or algorithmic ethics, we are not dealing with an isolated technical conversation; we are dealing with a profound redefinition of the corporate narrative. And in communication, narrative is power.   </p>
<p>In our country, we have renowned female leaders in communications, and it is our duty to highlight their achievements: Luísa García (LLYC); Mónica González (AXICOM); Ludi García and Carlota Marco (SEC NEWGATE); Lucía Carballeda (EDELMAN); Núria Vilanova and Asun Soriano (ATREVIA); Sonia Díaz and Juana Pulido (ESTUDIO DE COMUNICACIÓN); Carme Miró (APPLE TREE); Silvia Alsina (ROMAN); Paula Carrera and Bárbara Navarro (TORRES Y CARRERA); Natalia Sánchez and Raquel Capellas (Weber Shandwick Spain); Ana Picó (Havas PR); Noelia Cruzado and Diana Vall (MARCO); Valvanuz Serna and Lucía Casanueva (PROA Comunicación); Carmen Basagoiti (HARMON); and our CEO and founder, Silvia Albert, among many others.</p>
<p>Interestingly, if we look at the technological layer (areas of AI, innovation, Big Data, or digital transformation), the picture changes dramatically. In several of these organisations that have specific AI departments, those responsible for the technical structures that feed the models, data and automation tools are all men. In other words, female business leadership is visible, but technological leadership is much less so, and when it does appear, it tends to be masculinised.  </p>
<h2><strong>8M: from talent to technological leadership</strong></h2>
<p>This 8M, perhaps the conversation should not focus solely on how many women work in communications (because yes, they are in the majority) but on something more decisive: <strong>how many are leading the transition</strong> to artificial intelligence.</p>
<p>The digital divide is no longer just a question of access to devices or STEM education. It is a question of technological power within the digital world. of technological power within strategic areas. </p>
<p>Artificial intelligence is redefining how stories are produced, distributed, and evaluated. If women do not occupy central positions in this redefinition, their influence will be limited at the most transformative moment in the profession in decades. </p>
<p>AI is not the future of communication. It is its present. And leadership in this new environment cannot afford to become masculinised again without at least being aware of it. It is not just a question of equality, but of us all working together to build the <strong>narrative</strong> in the age of artificial intelligence.   </p>
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		<title>Rebranding: changes in the visual identity of three Spanish giants.</title>
		<link>https://agenciacomma.com/en/corporate-communication/rebranding-changes-in-the-visual-identity-of-three-spanish-giants/</link>
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		<dc:creator><![CDATA[Pedro Pareja]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 08:37:52 +0000</pubDate>
				<category><![CDATA[Corporate communication]]></category>
		<category><![CDATA[brand]]></category>
		<category><![CDATA[communication strategy]]></category>
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					<description><![CDATA[<p>&#160; A rebranding is never simply an aesthetic decision. It is a move that responds to changes in the market, technology and consumer values. Between 2024 and 2026, three of the pillars of the IBEX 35 and benchmarks of the Spain Brand, Repsol, Mapfre and the former Cepsa (now Moeve) have undertaken rebranding processes that [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/rebranding-changes-in-the-visual-identity-of-three-spanish-giants/">Rebranding: changes in the visual identity of three Spanish giants.</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>A rebranding is never simply an aesthetic decision. It is a move that responds to changes in the market, technology and consumer values. Between 2024 and 2026, three of the pillars of the IBEX 35 and benchmarks of the <em>Spain Brand</em>, <strong>Repsol, Mapfre and the former Cepsa (now Moeve)</strong> have undertaken <em>rebranding</em> processes that mark a before and after in their strategic visual communication. Why now? What do their new typefaces tell us? Why is colour no longer flat?</p>
<h2><strong>Moeve: how to &#8216;kill&#8217; a giant to save the brand</strong></h2>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32324" src="https://agenciacomma.com/wp-content/uploads/cepsa-rebranding.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/cepsa-rebranding.png 1450w, https://agenciacomma.com/wp-content/uploads/cepsa-rebranding-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/cepsa-rebranding-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/cepsa-rebranding-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
<p>The case of <strong>Moeve</strong> (formerly Cepsa) is undoubtedly the most radical. The <em>rebranding</em> process also includes a name change. This is the riskiest move in communication: giving up decades of brand recognition. Remember the case of HBO Max, which changed to MAX only to <a href="https://www.theverge.com/news/702261/hbo-max-rebrand-official-warner-bros" target="_blank" rel="noopener">reverse the change</a> a few months later.</p>
<p>Cepsa was founded as the Spanish Petroleum Company. In 2026, petroleum is a concept that is declining in terms of social reputation. The brand needed a conceptual clean-up. You cannot sell green hydrogen under a name that includes the word petroleum in its acronym.</p>
<p><strong>Change in the colour palette:</strong> the traditional red and yellow have been abandoned. These colours are highly visible on the road, but are associated with fossil fuels. The new palette focuses on deep blues and turquoise greens. In colour psychology, this shifts the brand from the industrial sector to the technological and sustainable sector.</p>
<p><strong><strong>The</strong> <em>naming</em> and typography:</strong> Moeve plays with the word <em>move</em> (movement) and <em>evolution</em>. The typography is of style sans-serif, geometric, modern, with rounded terminations that suggest smoothness and efficiency.</p>
<p><strong>Strategic implication</strong>: Moeve no longer competes with Repsol at petrol stations, competes with Tesla in chargers and with Iberdrola in energy for the home. Graphic design has been the bridge needed for the consumer to accept this new paper.</p>
<h2></h2>
<h2><strong>Repsol: farewell to <em>flat design</em></strong></h2>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32326" src="https://agenciacomma.com/wp-content/uploads/repsol-rebranding.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/repsol-rebranding.png 1450w, https://agenciacomma.com/wp-content/uploads/repsol-rebranding-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/repsol-rebranding-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/repsol-rebranding-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
<p>Repsol could not afford a complete breakaway like Cepsa&#8217;s. Its logo is one of Spain&#8217;s most valuable assets. Its strategy has been one of <strong>adaptive evolution</strong>.</p>
<p>Repsol&#8217;s previous logo was a design from the analogue era: solid, flat, static. The new Repsol logo seeks to represent a company that no longer just extracts energy, but also transforms and distributes it in multiple forms (solar, wind, electrical).</p>
<p><strong>Gradient and 3D: </strong> as we said <a href="https://agenciacomma.com/en/content-creation/graphic-trends-in-communication-2026/">earlier</a>, the popularity of mobile phones with high-performance processors and fast download speeds means that the resource optimisation championed by flat design is no longer necessary. Repsol is joining this trend by evolving towards a more realistic style, transforming its logo into a three-dimensional shape that relies heavily on the use of gradients. The transition from dark orange tones to this gradient, which starts with yellow and reminds us of the sun, creates a sense of luminescence. The logo seems to emit its own light, simulating a source of living energy.</p>
<p><strong>The circular shape:</strong> the edges have been polished. The R of the typography and the central symbol now are integrated into a narrative of circular economy. Graphically, everything flows towards the centre, eliminating the sensation of heavy blockage. It represents the heat of the sun, the vibration of movement and the warmth of service to the customer.</p>
<h2></h2>
<h2><strong>Mapfre: the <em>revolution</em> of lowercase letters and mobile-first</strong></h2>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32328" src="https://agenciacomma.com/wp-content/uploads/mapfre-rebranding.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/mapfre-rebranding.png 1450w, https://agenciacomma.com/wp-content/uploads/mapfre-rebranding-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/mapfre-rebranding-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/mapfre-rebranding-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
<p>The case of Mapfre is a lesson in humanisation through typography. Historically, insurance companies communicated from a position of authority: capital letters, logos enclosed in shields or circles, dark colours&#8230;</p>
<p>Today, the relationship with Mapfre does not take place in a physical office with marble walls. It takes place in an app. The design of 2026 responds to the need to be an icon on the desktop of a smartphone, not a poster on a building.</p>
<p><strong>From uppercase to lowercase:</strong> this is the most powerful change. By writing Mapfre in lowercase, the brand renounces imposing itself in favour of conversation. Lowercase letters are perceived as more friendly, modern and digital (think of logos such as Amazon or Airbnb).</p>
<p><strong>The clover without borders:</strong> the circle surrounding the iconic shamrock has been removed. In graphic design, a circle is a border. By removing it, the symbol breathes. The aim is to create a more open, transparent and collaborative brand. The tone has been adjusted to a more vibrant red, less blood-like, optimised for screens. It is a red that conveys vitality and active protection, not relief after an accident.</p>
<p><strong>Implications: What does this tell us about the current market?</strong></p>
<p>When we analyse these three cases together, we see patterns that are worth highlighting:</p>
<p><strong>· The dictatorship of the pixel over the paper. </strong>In the past, logos were designed to look good on paper. Today, they are designed to be a <strong>16&#215;16 pixel <em>favicon</em></strong> or an Instagram avatar. Mapfre&#8217;s simplification and Repsol&#8217;s brightness are designed to shine in digital environments.</p>
<p><strong>· The end of corporate authority. </strong>Brands no longer want to command respect through their size. They want to be <em>partners</em>. The use of rounded shapes, lowercase letters and softer colour palettes responds to a consumer psychology where users value empathy over hierarchy.</p>
<p><strong>· Sustainability as a primary colour. </strong>It is no longer an addition to the annual report; sustainability is the visual focus. Moeve uses green, Repsol uses light and Mapfre uses openness. Graphically, the brands are eliminating visual noise to project cleanliness and efficiency.</p>
<h2><strong>Conclusion: design as a business driver</strong></h2>
<p>The changes at Mapfre, Repsol and Moeve show us that design is the visible face of business strategy. If a company changes its revenue model (from oil to renewable energy, or from insurance policies to digital services), its image must change for the market to believe it. These are not just logos. They are the insignia of a new economic era in which Spain seeks to lead the energy and digital transition. No one disputes the importance of<a href="https://agenciacomma.com/en/corporate-communication/diseno-grafico-estrategico-la-narrativa-visual-de-la-marca/" target="_blank" rel="noopener"> strategic design</a> anymore. Designing is deciding. And these three brands have decided that the future is lighter, brighter and, above all, more human.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32339" src="https://agenciacomma.com/wp-content/uploads/Rebranding-Cita-Pedro-Pareja-_EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/Rebranding-Cita-Pedro-Pareja-_EN.png 1450w, https://agenciacomma.com/wp-content/uploads/Rebranding-Cita-Pedro-Pareja-_EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/Rebranding-Cita-Pedro-Pareja-_EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/Rebranding-Cita-Pedro-Pareja-_EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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	            data-title="Rebranding: changes in the visual identity of three Spanish giants." 
	            data-home="https://agenciacomma.com/en/"></div><p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/rebranding-changes-in-the-visual-identity-of-three-spanish-giants/">Rebranding: changes in the visual identity of three Spanish giants.</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
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		<title>The sustainability dilemma: we want responsible brands, but it hurts our pockets</title>
		<link>https://agenciacomma.com/en/corporate-communication/the-dilemma-of-sustainability/</link>
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		<dc:creator><![CDATA[Alba de Arquer]]></dc:creator>
		<pubDate>Wed, 18 Feb 2026 10:08:52 +0000</pubDate>
				<category><![CDATA[Corporate communication]]></category>
		<category><![CDATA[communication strategy]]></category>
		<category><![CDATA[corporate communication]]></category>
		<guid isPermaLink="false">https://agenciacomma.com/uncategorized/the-dilemma-of-sustainability/</guid>

					<description><![CDATA[<p>A few days ago, while listening to the presentation of SEC Newgate&#8217;s Impact Monitor 2025, a thought struck me: it is fascinating how we use acronyms that sound like they belong in an advanced intelligence department, when in reality we are simply trying to explain that a company should basically be a good neighbour. I [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/the-dilemma-of-sustainability/">The sustainability dilemma: we want responsible brands, but it hurts our pockets</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>A few days ago, while listening to the presentation of <strong><a href="https://secnewgate.com/impact-monitor/" target="_blank" rel="noopener">SEC Newgate&#8217;s Impact Monitor 2025</a></strong>, a thought struck me: it is fascinating how we use acronyms that sound like they belong in an advanced intelligence department, when in reality we are simply trying to explain that a company should basically be a good neighbour. I am referring to ESG (Environmental, Social, and Governance), a concept that 63% of Spaniards admit to knowing nothing about.</p>
<p><strong>The term ESG</strong> has become popular since 2004, when the report &#8216;Who Cares Wins&#8217; was published, a joint initiative by financial institutions led by the then UN Secretary-General, Kofi Annan, to find ways to integrate environmental, social and governance factors into the capital market. And since then, while communication agencies, companies and organisations have been striving to adjust the tone of sustainability reports, six out of ten people on the street think we are talking to them in Morse code or, worse still, that we are simply filling space.</p>
<p>One quickly learns that the longest distance in the world is not between Madrid and New York, but between a management committee and a shopping trolley in a local supermarket. Only 13% of citizens say they really understand what these acronyms mean. As Ana Gascón, Director of Human Resources, ASG, and Shareholders Office at PremiumFiber, pointed out in the presentation of the report: <em>&#8220;It&#8217;s being seen, but it&#8217;s not getting through&#8221;</em>. Companies are putting huge budgets on the table to transform themselves, but that investment seems to evaporate before it crosses the office door.</p>
<p>The Arctic is far away, but my postcode isn&#8217;t: there&#8217;s a trend that makes me smile because of its overwhelming logic: relocation. We&#8217;ve spent decades worshipping globalisation as if it were an infallible deity, only to realise that its impact is no longer measured globally, but locally. The report makes it clear: <em>&#8220;Local is the new Global&#8221;</em>. For me to believe that your brand is going to save the glaciers, I first need to see what you are doing for the park on my street.</p>
<p><strong>72% of Spaniards prefer companies to manufacture here</strong>, at home, even if that means the final bill goes up. We want them to hire here (68% support) and buy raw materials from domestic suppliers (67%). It&#8217;s a kind of local activism. <a href="https://www.linkedin.com/in/beatrizherrera/?originalSubdomain=es" target="_blank" rel="noopener">Beatriz Herrera</a>, Corporate Communication Strategy, Reputation &amp; Sustainability Director at Mahou San Miguel, summed it up with a phrase that should be on every marketing director&#8217;s screensaver: &#8220;<em>Bring it down to me and tell me how this impacts my day-to-day life</em>.&#8221; If sustainability can&#8217;t be touched, or at least seen in the neighbourhood, for many it simply doesn&#8217;t exist.</p>
<p>The wallet: that place where activism takes a break. Here comes our great contradiction, the one that makes us human and a little inconsistent. We love the idea of ethical business until we look at our bank account. Fifty-one per cent of Spaniards believe that tariffs should be reduced to encourage competition and lower prices. We want production to be domestic, but we also want avocados and mobile phones to continue to cost the same as when they came from the other side of the world.</p>
<p>This is what Beatriz Herrera calls shared responsibility. We cannot ask a company to be an NGO while we, as consumers, only look for the lowest price. With inflation pushing up the cost of the shopping basket by 35%, activism has become, for many, a luxury item they cannot afford. In fact, 56% of the population believes that companies should prioritise raising wages over reducing carbon emissions. In the end, it turns out that the first layer of sustainability is making ends meet.</p>
<h2><strong>The bureaucracy of &#8216;excellence&#8217; and the virus of mistrust</strong></h2>
<p>There is a critical, almost scathing view of how this is managed internally. Sometimes it seems that we care more about the exam than the subject itself. Ana Gascón spoke of the difference between students who are only looking for a pass mark and those who really want to learn. The role of sustainability has become so bureaucratised that we run the risk of spending more time filling in indicator tables than transforming the business model.</p>
<p>And citizens notice this. Mistrust is the general mood: only 29% of people believe that large companies are transparent. This is the lowest score in the entire report. If we are not open, if we do not communicate naturally, people assume that we are hiding something under a mountain of technical terms. As Ana says, <em>&#8220;a cat is a cat&#8221;</em>; we can call it ESG, impact or transformation, but if there is no consistency underneath, the consumer simply tunes out.</p>
<h2><strong>What keeps us awake at night (and it&#8217;s not a 40-pages PDF)</strong></h2>
<p>Sometimes, in the bubble of the business world, we forget what the real priorities of people are. The report is a reality check: quality and accessible healthcare (65% of utmost importance), housing affordability (62%) and education (62%). These are the pillars upon which 78% of the Spanish builds their demand: they want companies that act in the interests of everyone, not just of the shareholders.</p>
<p>We value diversity. <strong>72% strongly support closing the gender pay gap.</strong> We care about the planet, of course: 74% believe it is vital to take action against climate change. But all this has to be connected to real life. We don&#8217;t need more classroom teaching, but brands that understand that their survival depends on being relevant to their neighbours, not just their investors.</p>
<p>After delving into this data, my conclusion is that sustainability must, above all, be affordable and understandable. Being an activist by shopping consciously is all well and good, but the <em>Impact Monitor</em> reminds us that, in the current context, it is a privilege that not everyone can exercise.</p>
<p>If companies want young people (and those who are not so young) to trust them again, the answer is not to invent another acronym in English. The way forward is to demonstrate impact in small, everyday ways, in what Beatriz Herrera defines as the &#8220;fundamental simplicity of facts&#8221;. Less global rhetoric and more local commitment. Because, at the end of the day, if your company doesn&#8217;t improve my neighbourhood, I&#8217;m hardly going to believe that you&#8217;re going to improve the world.</p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32312" src="https://agenciacomma.com/wp-content/uploads/El-dilema-de-la-sostenibilidad-Quote-EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/El-dilema-de-la-sostenibilidad-Quote-EN.png 1450w, https://agenciacomma.com/wp-content/uploads/El-dilema-de-la-sostenibilidad-Quote-EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/El-dilema-de-la-sostenibilidad-Quote-EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/El-dilema-de-la-sostenibilidad-Quote-EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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	            data-title="The sustainability dilemma: we want responsible brands, but it hurts our pockets" 
	            data-home="https://agenciacomma.com/en/"></div><p>La entrada <a href="https://agenciacomma.com/en/corporate-communication/the-dilemma-of-sustainability/">The sustainability dilemma: we want responsible brands, but it hurts our pockets</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
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		<title>Graphic trends in communication 2026: new tools and AI bring out our inner artist</title>
		<link>https://agenciacomma.com/en/content-creation/graphic-trends-in-communication-2026/</link>
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		<dc:creator><![CDATA[Pedro Pareja]]></dc:creator>
		<pubDate>Wed, 21 Jan 2026 16:11:16 +0000</pubDate>
				<category><![CDATA[Content creation]]></category>
		<category><![CDATA[artificial intelligence]]></category>
		<category><![CDATA[communication strategy]]></category>
		<category><![CDATA[trends]]></category>
		<guid isPermaLink="false">https://agenciacomma.com/uncategorized/graphic-trends-in-communication-2026/</guid>

					<description><![CDATA[<p>The democratisation of design software with new free tools, the proliferation of video tutorials as a way of having a private tutor at home, and generative artificial intelligence (which converts our requests into designs) have marked the last year in the field of graphic design applied to communication. Until recently, a significant part of a [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/content-creation/graphic-trends-in-communication-2026/">Graphic trends in communication 2026: new tools and AI bring out our inner artist</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The democratisation of design software with new free tools, the proliferation of video tutorials as a way of having a private tutor at home, and generative artificial intelligence (which converts our requests into designs) have marked the last year in the field of graphic design applied to communication.</p>
<p>Until recently, a significant part of a designer&#8217;s job was knowing how to use photo editing, vector illustration, and editorial design software. I spent so many hours in Photoshop courses, where seeing my classmates achieve the same result through different paths amazed me as much as it scared me that time would erase that knowledge. How many notes and screenshots have I accumulated to remember how to use the <em>grids</em> system or adjust the text to the base grid in InDesign?</p>
<p>The arrival of YouTube tutorials on how to use these tools meant we no longer had to memorise the processes, menus and submenus of these design software tools. From then on, it was enough to remember what the tools could do, NOT how to do it. If you needed to perform a specific action, you no longer had to go to forums to ask questions or consult the user manual. All you had to do was find a tutorial that explained it visually in a minute.</p>
<p>This has allowed more users to lose their fear to complex software. And the proliferation of Instagram reels that attractively explain how to create a photographic effect, a specific vector illustration style, or an editorial design based on the golden ratio.</p>
<h2><strong>The power of the free </strong><strong>tools</strong></h2>
<p>The design tools available from a simple web browser are becoming increasingly powerful. They do not require us to download anything (with the risk of it containing a virus) and are accessible from any device.</p>
<p><a href="http://ilovepdf.com" target="_blank" rel="noopener">Ilovepdf</a> provides us with options that previously required paid software.</p>
<p><a href="https://www.remove.bg/" target="_blank" rel="noopener">Background remover </a>surprised us at its moment with a feature that you could only get by paying a fee.</p>
<p>What can we say about <a href="https://www.photopea.com/" target="_blank" rel="noopener">Photopea</a>? A suite of free photo editing tools, fully functional that offers an interface similar to Photoshop (in exchange for showing us advertisements in the right-hand panel).</p>
<p>The use of <a href="https://www.google.com/aclk?sa=L&amp;pf=1&amp;ai=DChsSEwjm-9yI-4-SAxU28XkEHYJZPHkYACICCAEQABoCd2Y&amp;co=1&amp;ase=2&amp;gclid=CjwKCAiA4KfLBhB0EiwAUY7GATMPZSc8_IvSVjqnX3MRWEJgKXXJjz5nmZWwpmsSHVOCXXl-mhkdFxoCregQAvD_BwE&amp;cce=2&amp;category=acrcp_v1_32&amp;sig=AOD64_17sX0z2mdiUqkLfpDsnBEGjU_cIg&amp;q&amp;nis=4&amp;adurl=https://turboscribe.ai/es/u/transcribe-audio-and-video-to-text?ref%3Dgad-self%26gad_source%3D1%26gad_campaignid%3D22340616410%26gbraid%3D0AAAAApQ31KvDoF9K0LBZg05I07NlOKPwb%26gclid%3DCjwKCAiA4KfLBhB0EiwAUY7GATMPZSc8_IvSVjqnX3MRWEJgKXXJjz5nmZWwpmsSHVOCXXl-mhkdFxoCregQAvD_BwE&amp;ved=2ahUKEwifz9eI-4-SAxUxnycCHTsJD7UQ0Qx6BAgXEAE" target="_blank" rel="noopener">Turboscribe</a> for audio transcription is essential. Its option to add time stamps (indicating the minute and second when each sentence is spoken) has been extremely useful for synchronising subtitles. This feature has recently been incorporated into free video editing programmes.</p>
<p><a href="https://jitter.video/" target="_blank" rel="noopener">Jitter has allowed us to create professional animations without mastering complex motion graphics programmes.</a></p>
<p>TikTok knows that we all prefer well-edited videos with beautiful transitions, sound effects, and eye-catching subtitles. That&#8217;s why it created <a href="https://www.capcut.com/es-es/" target="_blank" rel="noopener">CapCut</a>, with powerful desktop versions, but also for mobile. It&#8217;s free software with paid options and a huge community behind it. I can&#8217;t fail to mention <a href="https://www.youtube.com/@TrevorJonescreator" target="_blank" rel="noopener">Trevor Jones</a>, a video editing expert who has gone from working in Hollywood to focusing on a YouTube channel with thousands of subscribers, where he unravels all the secrets of CapCut&#8217;s timeline, keyframes, filters, effects, and settings in a fun and light-hearted style.</p>
<h2><strong>The war for the design pie</strong></h2>
<p>A war has broken out in all sectors to attract users, and in the field of design, <a href="https://www.canva.com/es_es/" target="_blank" rel="noopener">Canva</a> has led the revolution against Adobe&#8217;s monopoly. Initially criticised by some graphic designers who were &#8220;delighted to meet themselves&#8221;, Canva made its definitive mark with <a href="https://www.affinity.studio/es_es" target="_blank" rel="noopener">Affinity suite</a>, a free software package (available for Mac, Windows and soon iPad) that combines photo editing, vector illustration editing and editorial design software in a single space. Three areas of graphic design for which Adobe&#8217;s Photoshop, Illustrator and InDesign, with their £80 monthly subscription, had been the industry standard until now. Among Canva&#8217;s new tools, its new <a href="https://www.canva.com/es_es/crear/portfolios/" target="_blank" rel="noopener">portfolio creator</a> and <a href="https://www.canva.com/es_es/funciones/resumidor-de-textos/" target="_blank" rel="noopener">text summariser</a> stand out.</p>
<p>Thousands of users have made the leap. Affinity Suite allows you to export to a .psd file or a vector PDF file with bleed and crop marks. This means there is no problem whatsoever in sending it to the printer or sending a project with layers to a colleague who works with another system.</p>
<p>This leap involves learning to use a new tool, after years of being accustomed to the menus and submenus of Adobe programmes. Had this steep learning curve occurred at another time, it would have put many people off. But nowadays, all you have to do is ask Gemini or ChatGPT how to select multiple layers at once, how to convert an image to a vector, or how to make a clipping mask, and you&#8217;ll get the answer instantly.</p>
<p>Canva has seen Affinity Studio as an opportunity to expand its user network and bases its business model on paid artificial intelligence features. However, the price of its PRO subscription is much lower than Adobe&#8217;s.</p>
<p>Apple also wants its slice of this pie and has just launched a subscription to Apple Creator Studio for <a href="https://hipertextual.com/apple/apple-lanza-una-nueva-suscripcion-para-los-usuarios-del-mac-y-el-ipad-se-acabo-pagar-un-dineral-por-estas-apps/">13</a><a href="https://hipertextual.com/apple/apple-lanza-una-nueva-suscripcion-para-los-usuarios-del-mac-y-el-ipad-se-acabo-pagar-un-dineral-por-estas-apps/" target="_blank" rel="noopener"> euros</a> per month.</p>
<h2><strong>The ubiquitous artificial intelligence</strong></h2>
<p>Our capacity for amazement knows no bounds when it comes to generative AI. Gone are those hallucinations and that &#8216;dreamlike&#8217; texture of images. A few months ago, there was no way to get the character created for one image to be used in the next, maintaining its appearance but in a different position. A few months of Google Nano Banana and ChatGPT competing for the throne have been enough for us not only to be able to do this, but now all we need is a photo of a character to ask the AI to show it to us in any setting, in any pose and from any angle. We no longer need a long photo shoot with lots of photos of a client to ensure that the creative content we produce for their social media is not monotonous.</p>
<p>Zara itself has confirmed that, although it continues to use real photographers and models, continues to use photographers and models in real life, <a href="https://www.titular.com/blog/zara-acelera-estrategia-digital-suma-ia-generativa-optimizar-produccion-imagenes" target="_blank" rel="noopener">it uses generative AI to generate </a>to get the multitude of versions it needs.</p>
<p>Now more than ever the highest value of the graphic designer is his judgement. &#8220;Common sense,&#8221; as Jorge Álvarez Naveiro says in the first episode of the eighth season of our <a href="https://agenciacomma.com/el-elefante-verde/">podcast</a>.</p>
<p>All creative people have suffered from imposter syndrome at some point. This psychological pattern occurs when professionals, despite having obvious achievements, doubt their abilities and feel that they do not deserve their success, fearing that they will be exposed as &#8216;frauds&#8217;. Everyone knows how to write. Does that make us all potential journalists or novelists? If anyone could cut their own hair or design their own clothes at the touch of a button, would the world be full of stylish hairstyles and fashionable neighbours? Or would it be a cacophony of absurdities?</p>
<p>Now the time has come when everyone has the tools to design simply by typing what they want (prompt) into a text input field on a website. But if you leave the design of your company in the hands of non-professionals, will we see a balanced, elegant and eye-catching style throughout? Or will it be a nightmare of Comic Sans Serif, garish colours and gigantic logos?</p>
<p>At present, in a field that affects us on a daily basis, AI specialising in presentation design continues to rely on proposals with short texts and striking images. This is not the case for most of our clients, who require extensive explanations on financial matters and do not have a tangible physical product such as a fizzy drink or dazzling jewellery.</p>
<p>What is undeniable is the invaluable assistance provided by tools such as the following in graphic design processes:</p>
<p>Brainstorming and idea generation: <a href="https://www.google.com/aclk?sa=L&amp;pf=1&amp;ai=DChsSEwiM4t7KkZCSAxUGqIMHHdzbDTMYACICCAEQABoCZWY&amp;co=1&amp;ase=2&amp;gclid=CjwKCAiA4KfLBhB0EiwAUY7GAZDrbxFI96Ty5hU8i3xiykp7y-EjwSqjVd7FYwoswfqLuigfD4LgZhoCSbAQAvD_BwE&amp;ei=VTlqacjZE8SSxc8Pz-jukAI&amp;cce=2&amp;category=acrcp_v1_32&amp;sig=AOD64_3yOvGcKTrSQn6EJLEWoAgqtan72w&amp;q&amp;sqi=2&amp;nis=4&amp;adurl=https://chatgpt.com?utm_source%3Dgoogle%26utm_medium%3Dpaid_search%26utm_campaign%3DGOOG_C_SEM_GBR_Core_CHT_BAU_ACQ_PER_MIX_ALL_EMEA_ES_EN_032525%26c_id%3D22370488515%26c_agid%3D183845652704%26c_crid%3D741727170907%26c_kwid%3D%7Bkeywordid%7D%26c_ims%3D%26c_pms%3D9181155%26c_nw%3Dg%26c_dvc%3Dc%26gad_source%3D1%26gad_campaignid%3D22370488515%26gbraid%3D0AAAAA-I0E5fLQ5u6EVNuvRV7AILucxIvt%26gclid%3DCjwKCAiA4KfLBhB0EiwAUY7GAZDrbxFI96Ty5hU8i3xiykp7y-EjwSqjVd7FYwoswfqLuigfD4LgZhoCSbAQAvD_BwE&amp;ved=2ahUKEwiI2NjKkZCSAxVESfEDHU-0GyIQ0Qx6BAgWEAE" target="_blank" rel="noopener">ChatGPT</a>, <a href="https://www.google.com/aclk?sa=L&amp;pf=1&amp;ai=DChsSEwjL59DDkZCSAxX88XkEHfd9BAgYACICCAEQABoCd2Y&amp;co=1&amp;ase=2&amp;gclid=CjwKCAiA4KfLBhB0EiwAUY7GAZtc5OgTv-4_ptioCavcWyH6HI7Z9Kmk4ZhPzdyelVNv6oOylkp1OBoCGzkQAvD_BwE&amp;ei=RjlqaamrGJKFxc8PkZ_aoAE&amp;cce=2&amp;category=acrcp_v1_32&amp;sig=AOD64_0yBKJJFLGucszZEyRxWaJm4AjuXQ&amp;q&amp;sqi=2&amp;nis=4&amp;adurl=https://Imagine.art/image?modelListId%3D3%26mode%3Dcreate%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3DG_I_Web_Intent_IMG_9003%26utm_source%3Dgoogle%26utm_medium%3Dppc%26utm_campaign%3D%26utm_term%3Dai%2520image%2520generator%26hsa_acc%3D2884199003%26hsa_cam%3D23462075916%26hsa_grp%3D196902441292%26hsa_ad%3D793129354982%26hsa_src%3Dg%26hsa_tgt%3Dkwd-946032064554%26hsa_kw%3Dai%2520image%2520generator%26hsa_mt%3Db%26device%3Dc%26placement%3D%26assetgroupid%3D%26creativeid%3D%7Bcreativeid%7D%26networkid%3D%7Bnetworkid%7D%26adtype%3D%26gad_source%3D1%26gad_campaignid%3D23462075916%26gbraid%3D0AAAABBr4qXk9Dpar66cj5pE_DK11fRuNn%26gclid%3DCjwKCAiA4KfLBhB0EiwAUY7GAZtc5OgTv-4_ptioCavcWyH6HI7Z9Kmk4ZhPzdyelVNv6oOylkp1OBoCGzkQAvD_BwE&amp;ved=2ahUKEwip5snDkZCSAxWSQvEDHZGPFhQQ0Qx6BAgWEAE" target="_blank" rel="noopener">ideogram</a></p>
<p>Product mock-ups: <a href="https://www.google.com/aclk?sa=L&amp;pf=1&amp;ai=DChsSEwi8ncWEh5CSAxUYomgJHcQ0IWsYACICCAEQABoCd2Y&amp;co=1&amp;ase=2&amp;gclid=CjwKCAiA4KfLBhB0EiwAUY7GASPC36VzWn_zAKfNnyFqo1VGiEYgrbViKDj5ZnrbOc_8QQn5F7g3jxoCLY8QAvD_BwE&amp;cce=2&amp;category=acrcp_v1_32&amp;sig=AOD64_0HJpNMKroj6s5oigW6F0oQrY_DeQ&amp;q&amp;nis=4&amp;adurl=https://www.pacdora.com?utm_source%3Dgoogleads%26utm_medium%3Dsearch%26gad_source%3D1%26gad_campaignid%3D20655986591%26gbraid%3D0AAAAAoXzfoiceb6EAva2sNIaRP6PEoD9m%26gclid%3DCjwKCAiA4KfLBhB0EiwAUY7GASPC36VzWn_zAKfNnyFqo1VGiEYgrbViKDj5ZnrbOc_8QQn5F7g3jxoCLY8QAvD_BwE&amp;ved=2ahUKEwjXxMCEh5CSAxWUfKQEHXwdF-4Q0Qx6BAg9EAE" target="_blank" rel="noopener">Pacdora</a> y <a href="https://www.kittl.com/tools/mockups" target="_blank" rel="noopener">Kittl</a>,</p>
<p>Hyperrealistic images:: <a href="https://stablediffusionweb.com/" target="_blank" rel="noopener">Stable diffusion</a>, <a href="https://www.midjourney.com/" target="_blank" rel="noopener">Midjourney</a>, <a href="https://www.adobe.com/es/products/firefly.html" target="_blank" rel="noopener">Firefly</a> y <a href="https://gemini.google/es/overview/image-generation/?hl=es-ES" target="_blank" rel="noopener">Nano banana</a></p>
<p>Choosing a colour palette: <a href="https://coolors.co/" target="_blank" rel="noopener">Coolors</a> y <a href="https://www.khroma.co/" target="_blank" rel="noopener">Khroma</a></p>
<p>Upscaling images: <a href="https://www.google.com/aclk?sa=L&amp;pf=1&amp;ai=DChsSEwj39-rhhZCSAxXt_nkEHXyjHYIYACICCAEQABoCd2Y&amp;co=1&amp;ase=2&amp;gclid=CjwKCAiA4KfLBhB0EiwAUY7GARfn8bsvy6MbGujuKpH-S9jWv1iiDHVyd3Z1WpGfiyhLD4uJkBe7CBoC95IQAvD_BwE&amp;cid=CAASJeRogSMyylUVe8bsaJkgiSBBHsIR5uex3aU5vkfirumXY35t8dM&amp;cce=2&amp;category=acrcp_v1_32&amp;sig=AOD64_3cxDOMdMkl-RoO8Ox3r-1SX18OVg&amp;q&amp;nis=4&amp;adurl=https://www.photoroom.com/pp/ai-image-enhancer?utm_source%3Dgoogle%26utm_medium%3Dsearch%26utm_id%3D23340003732%26utm_campaign%3DWeb_Search_Generic_BAU_ALL_en_tROAS%26utm_content%3D787624487720%26adset_name%3DNA%26ad_name%3DNA%26adset_id%3D192952447907%26utm_term%3Dremini%26matchtype%3Db%26network%3Dg%26device%3Dc%26placement%3D%26gad_source%3D1%26gad_campaignid%3D23340003732%26gbraid%3D0AAAAABrDMJizjj_JRMCGlH5bltotAh_e-%26gclid%3DCjwKCAiA4KfLBhB0EiwAUY7GARfn8bsvy6MbGujuKpH-S9jWv1iiDHVyd3Z1WpGfiyhLD4uJkBe7CBoC95IQAvD_BwE&amp;ved=2ahUKEwi-oObhhZCSAxVJVaQEHYOpEqcQ0Qx6BAgWEAE" target="_blank" rel="noopener">Remini</a> y <a href="https://www.google.com/aclk?sa=L&amp;pf=1&amp;ai=DChsSEwjZ1K2VhpCSAxWZ8XkEHcC4JFoYACICCAEQABoCd2Y&amp;co=1&amp;ase=2&amp;gclid=CjwKCAiA4KfLBhB0EiwAUY7GAfgToaLKaw29Qq62bavH6xkdo7laMdYqsuoYL_k9sph-Xx_1pdsTcRoC_MUQAvD_BwE&amp;cce=2&amp;category=acrcp_v1_32&amp;sig=AOD64_32bx-p14oGzZ0JjcBtCxeO1w_56Q&amp;q&amp;nis=4&amp;adurl=https://gigapixelai.com?utm_source%3Dgoogle-search-fada%26utm_word%3Dtopaz%2520gigapixel%2520ai%26gad_source%3D1%26gad_campaignid%3D22687103403%26gbraid%3D0AAAAA_5YVcq9bITV8WorDtrtsluacdgpi%26gclid%3DCjwKCAiA4KfLBhB0EiwAUY7GAfgToaLKaw29Qq62bavH6xkdo7laMdYqsuoYL_k9sph-Xx_1pdsTcRoC_MUQAvD_BwE&amp;ved=2ahUKEwiV_aiVhpCSAxXiU6QEHVkCJN4Q0Qx6BAgQEAE" target="_blank" rel="noopener">Topaz Gigapixel AI</a></p>
<h2><strong>Visual graphics trends for 2026</strong></h2>
<p>With this brief overview of the advances we have tested, I look ahead to the new year and, without a doubt, my favourite trend for 2026 is liquid crystal. Apple initially implemented skeuomorphism in its mobile operating system (iOS), a visual system in which digital elements such as buttons and icons imitated their physical counterparts, using textures, shadows and details to make them look real. Over time, in order to optimise resources and bandwidth, it moved to flat design, led by Android (Google&#8217;s mobile operating system), a user interface marked by minimalism with simple, schematic icons. Now that mobile phones with high-performance processors are very popular and download speeds are fast, we are returning to a realistic style with Apple&#8217;s liquid glass (whose successful <a href="https://indianexpress.com/article/technology/tech-news-technology/meta-poaches-senior-apple-designer-alan-dye-behind-liquid-glass-interface-10401738/" target="_blank" rel="noopener">creator</a> has joined Meta&#8217;s design team) and the resurgence of glassmorphism. Styles and fashions are not for everyone, and Apple had to backtrack and offer an iOS update with the option to switch from liquid glass to frosted glass, sacrificing visual spectacle for the sake of readability.</p>
<p>Other styles we have followed closely, but which we are unlikely to apply to more traditional clients who prefer a more timeless line, are: <strong>Digital Pastel </strong>(soft colours such as lavender and mint, mixed with blurred gradients that look like clouds or crystals), <strong>Retro-Medieval </strong>(ancient icons and Gothic letters mixed with metallic effects and futuristic neon lights) and <strong>Kinetic Typography</strong> (letters that stretch and deform as if they were liquid and occupy the entire composition).</p>
<p>But all this is in January 2026. With the relentless evolution of artificial intelligence and the brutal battle for our attention from social media, everything could change next week. What wonders does the future hold? We will continue to watch eagerly.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32142" src="https://agenciacomma.com/wp-content/uploads/Tendencias-graficas-comunicacion-cita-interior-Pedro-Pareja-EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/Tendencias-graficas-comunicacion-cita-interior-Pedro-Pareja-EN.png 1450w, https://agenciacomma.com/wp-content/uploads/Tendencias-graficas-comunicacion-cita-interior-Pedro-Pareja-EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/Tendencias-graficas-comunicacion-cita-interior-Pedro-Pareja-EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/Tendencias-graficas-comunicacion-cita-interior-Pedro-Pareja-EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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	            data-title="Graphic trends in communication 2026: new tools and AI bring out our inner artist" 
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		<title>Reflections on agency-client collaboration</title>
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		<pubDate>Wed, 03 Dec 2025 07:21:00 +0000</pubDate>
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					<description><![CDATA[<p>The agency-client relationship, across all sectors, is a recurring source of inspiration in television and film. Sometimes demystified and almost always romanticised to the extreme, these audiovisual productions reflect a reality that bears little resemblance to the day-to-day lives of those of us who are part of this professional dichotomy in real life. And that [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/public-relations/reflections-on-agency-client-collaboration/">Reflections on agency-client collaboration</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The agency-client relationship, across all sectors, is a recurring source of inspiration in television and film. Sometimes demystified and almost always romanticised to the extreme, these audiovisual productions reflect a reality that bears little resemblance to the day-to-day lives of those of us who are part of this professional dichotomy in real life. And that makes sense, because that&#8217;s what fiction is for.</p>
<p>The most notable example is the original <a href="https://es.wikipedia.org/wiki/Mad_Men" target="_blank" rel="noopener"><em>Mad Men</em></a><em>.</em> Millennials learned about advertising from the impeccably dressed Don Draper, who pulls the strings of the industry in late 1960s New York. The series presents a Draper who does not hesitate to storm out of the room if his ideas are not to the client&#8217;s liking. More recent is the French series Call My Agent!, which shows the ins and outs of a Parisian talent agency struggling between ruin and success. This production satirises the eccentricity of the celebrities that ASK represents and portrays the ambition of executives who would do anything to maintain their position.</p>
<p>Fortunately, collaborating with external teams in communication in this case is much easier than it used to be. in communications in this case, it is much easier and (and less dramatic) than what is seen on screen. Below, I have compiled a few reflections on my day-to-day work with highly diverse teams at various agencies in different countries. This is not a list of best practices, much less a manual for being a good client, but simply a compilation of considerations that I personally find useful as a professional.</p>
<h2><strong>Leave your ego behind </strong></h2>
<p>Let the person who knows the most, has the most experience or is the most competent in a subject they deal with it is something that, in principle, falls under its own weight. However, sometimes we find ourselves resisting delegating, often guided by that little voice inside us that tells us we should manage it ourselves. &#8220;<em>you should </em>handle this yourself&#8221;, <em>aka </em>our ego.</p>
<p>Being aware of this bias is the first step toward eliminating it. Reaping the rewards of distributing tasks based on the skills and abilities of each member of the communication team—whether internal or external—is the second and final step.</p>
<p>Throughout my years in <a href="https://agenciacomma.com/en/public-relations/" target="_blank" rel="noopener">public relations</a>, I have been extremely fortunate to work with fantastic external professionals, sometimes with more years of experience or greater knowledge of the local market than I have. During this time, recognizing my own strengths and those of others has brought me much professional joy, and I cannot recall a single occasion when I have regretted doing so.</p>
<h2><strong>Communication and business consultants</strong></h2>
<p>Public relations is not a separate entity but an extension of the business, and as such, it is essential that there be fluid dialogue between both parties. Scheduling regular meetings with regional directors or heads of other departments allows those of us responsible for designing and implementing the communication strategy to immerse ourselves in the challenges and objectives with first-hand information, providing an opportunity to ask questions and exchange ideas that enrich our work.</p>
<p>This also includes external communications teams. Setting aside a few hours a year to moderate the agency-business relationship and encourage open dialogue also serves to increase visibility of the value that public relations brings to the company as a whole.</p>
<h2><strong>Protect and manage your time with your agencies</strong></h2>
<p>Opening up conversations between the communications team and the rest of the business does not mean giving others free rein to use up the valuable time we have with our agencies. Although it may seem obvious, the absence of a clear procedure for managing questions and requests can result in misunderstandings, duplication and, ultimately, ineffective use of resources.</p>
<p>One way to avoid this would be to implement a simple protocol that opens a channel of communication between both parties, in which you are responsible for centralising, assessing and giving the green light (or not) to queries, and ensuring that internal teams are familiar with this system.</p>
<h2><strong>Joint preparation for crises</strong></h2>
<p>Developing a communication plan is a key step when starting a new project or beginning to work with an external communication team (or client, depending on the situation). However, this plan often does not include a section on potential risks, or contingency management is simply relegated to the internal team.</p>
<p>We must prepare ourselves together for crises, because it is precisely this preparation that ensures the best possible outcome if the worst ultimately happens. And we must do so without naivety: no sector, firm or professional is immune to crises, and although these may vary in nature and form, the way to mitigate their potential consequences is the same.</p>
<p>Spending time discussing the risks with your communications team, designing a joint strategy that assigns a defined role to each person, and scheduling regular meetings to review the plan&#8217;s validity can be a good way to prepare. In the best-case scenario, it will never have to be implemented and will have been a great practical exercise for everyone.</p>
<p>These notes are an invitation to take a step back and evaluate our relationship with our external communications team from a broader perspective. And, why not, as the year draws to a close, review whether there is anything we can improve for 2026. Don Draper would surely have fared better if he had done this exercise sixty years ago.</p>
<h5>*Article written by Lourdes Marín, PR &amp; Communications Manager at eToro.</h5>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-32025" src="https://agenciacomma.com/wp-content/uploads/agencia-cliente-Lourdes-Marin-Sanchez-etoro-quote-EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/agencia-cliente-Lourdes-Marin-Sanchez-etoro-quote-EN.png 1450w, https://agenciacomma.com/wp-content/uploads/agencia-cliente-Lourdes-Marin-Sanchez-etoro-quote-EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/agencia-cliente-Lourdes-Marin-Sanchez-etoro-quote-EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/agencia-cliente-Lourdes-Marin-Sanchez-etoro-quote-EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
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		<title>Reason for being of a blog about communication</title>
		<link>https://agenciacomma.com/en/content-creation/reason-for-being-of-a-communications-blog/</link>
					<comments>https://agenciacomma.com/en/content-creation/reason-for-being-of-a-communications-blog/#respond</comments>
		
		<dc:creator><![CDATA[Silvia Albert]]></dc:creator>
		<pubDate>Wed, 05 Nov 2025 07:30:28 +0000</pubDate>
				<category><![CDATA[Content creation]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[communication channels]]></category>
		<category><![CDATA[communication strategy]]></category>
		<guid isPermaLink="false">https://agenciacomma.com/uncategorized/reason-for-being-of-a-communications-blog/</guid>

					<description><![CDATA[<p>It has been more than 14 years —and without missing a single week of the appointment— that this blog is part of the professional routine of the Agency comma. This consistency is not just an internal achievement, but a commitment to what we believe is essentialhaving a space of one&#8217;s own, for reflection, for value, [&#8230;]</p>
<p>La entrada <a href="https://agenciacomma.com/en/content-creation/reason-for-being-of-a-communications-blog/">Reason for being of a blog about communication</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>It has been more than 14 years —and without missing a single week of the appointment— that this blog is part of the professional routine of the <a href="https://agenciacomma.com/en/">Agency comma</a>. This consistency is not just an internal achievement, but a commitment to what we believe is essentialhaving a space of one&#8217;s own, for reflection, for value, for sharing&#8230; acquires more meaning than ever before.</p>
<p>The sector is undergoing constant transformation. In my almost three decades of specialisation, I cannot remember a single moment when we have not had to face reinvention. Now it is time, on the one hand, for technological acceleration: the emergence of artificial intelligence, the new channels, the fragmentation of audiences. On the other hand, the growing threats: information overload, fake news, the loss of coherence in the messages, the questioning of the ethics of the &#8216;anything goes&#8217;, and, ultimately, a greater demand for credibility and transparency on the part of the audiences.</p>
<p>For those of us who work in communications, this means that it is no longer enough to simply &#8216;make noise&#8217;, even though some may believe otherwise. We are required to provide meaning and judgement. To communicate effectively, to narrate with perspective and consistency, to listen to audiences, to stop and think&#8230; All of this has become more valuable now.</p>
<h2>But is the blog still a fundamental part of the website?</h2>
<p>I am struck by the number of websites that host a dead blog, abandoned, sporadic, inconsistent. It doesn&#8217;t make sense. Does it take a lot of work? Yes; is it very demanding?: yes; does it open up opportunities for you?: yes; does it make room for other minds?: yes; is he getting the most out of the game?: possibly not.</p>
<p>But&#8230; Why do we insist on the need to have a blog?</p>
<ul>
<li><strong>Presence and memory</strong>. The blog is a living archive of ideas, debates, trends, mistakes and lessons learned. With more than 14 years of history, our blog not only represents us, but also documents the evolution of the sector.</li>
<li><strong>Authority and positioning</strong>. In the digital environment, having a well-managed blog reinforces brand authority and professional reputation. Today, search engines, like the artificial intelligence that is coming into play, value structured sources with depth and consistency.</li>
<li><strong>Visibility in the era of AI</strong>. <a href="http://esgalla.com/" target="_blank" rel="noopener">The paradigm of positioning has changed</a>. Beyond the realm of classic SEO (<em>Search Engine Optimisation</em>), we are seeing emerge the concept of <em>Generative Engine Optimisation</em> (GEO): optimisation so that the content is cited or used by systems of generative AI. This is not the first time that we receive a potential customer because AI has recommended us.</li>
<li><strong>Control over one&#8217;s own discourse</strong>. A personal blog does not depend on the changing algorithm of a social network or external media. It is our space to think, express opinions, correct&#8230; without external filters. In times of fake news and manipulation, this is also part of the communicator&#8217;s ethics. And this is of particular interest to us.</li>
<li><strong>Educational thread for the sector</strong>. Not only for us, but for those who are just starting out: showcasing the blog, its continuity, its value is also an example for other professionals or agencies who today can consider whether it is worth starting a blog.</li>
</ul>
<h2>Threats that loom (and how the communication blog can respond)</h2>
<ul>
<li><strong>AI as a challenge of automatic content generation automatic</strong>: the ease of generating texts using machines requires that blogs offer something more human, critical, unique. A perspective of their own, different, more realistic and human.</li>
<li><strong>News fake, information saturated</strong>: the public already distrusts. A serious blog can connect with confidence, with transparency. It creates a <em>track record</em> that is well worth the reputation.</li>
<li><strong>Format and consistency weakened</strong>: many formats scattered, messages varied without thread; enter and exit. This is something we see every day with our new customers. The lack of consistency in our own channels is the order of the day of the day. Maintaining a blog requires discipline, strategy, planning, that stopping to think&#8230;</li>
<li><strong>Ethics and responsibility</strong>: in an environment where immediacy is key, blogging allows us to take a step back, reflect and raise ethical questions.</li>
<li><strong>Change in the rules of visibility </strong>(GEO, AI, searches without clicks): if we do not adapt our content to how AIs &#8216;read&#8217; and &#8216;quote&#8217; it, we run the risk of being invisible.</li>
</ul>
<ol start="4">
<li><strong> Practical tips for a good blog about communication (and may this post serve as an example)</strong></li>
</ol>
<p>Here are some key lessons we have learned after more than a decade of writing, maintaining, and evolving this blog:</p>
<ul>
<li><strong>Consistency above all else</strong>: the commitment to publish regularly (week after week) builds habit in the audience and authority in search engines. And yes, sometimes we get caught out&#8230; but we get there; we always get there.</li>
<li><strong>Topic and added value</strong>: each post should raise something worthy of attention: an analysis, a different perspective, a prediction. Not just what is happening, but why it is happening and why it is important.</li>
<li><strong>Clear structure</strong>: title that grabs attention, subtitles that guide, bullet points or sections educational. Readability is key.</li>
<li><strong>Language of their own and voice authentic</strong>: the blogs that stand out have a tone that is recognisable. Here we combine experience, approachability and rigour. &#8216;Something&#8217; very comma.</li>
<li><strong>Basic SEO optimisation</strong>: relevant keywords, user-friendly URLs, meta descriptions, high-quality internal and external links. This remains fundamental.</li>
<li><strong>Optimisation for the era of AI (GEO)</strong>: in addition to classic SEO optimisation, think about how your content can be <em>cited or r<em>eferenced</em> by generative IAs. It uses natural vocabulary, defines terms well, and structures for direct responses.</em></li>
<li><strong>Internal linking and context</strong>: <a href="https://agenciacomma.com/en/content-creation/the-importance-of-the-corporate-blog/">linking to older posts</a> strengthens your blog as a coherent repository.</li>
<li><strong>Promotion and distribution</strong>: the blog does not live only on its URL; share it on social media, <em>newsletters</em>, and use earned channels as well.</li>
<li><strong>Measurement and improvement</strong>: use the data to see which topics work, which tone connects, which formats generate the most <em>engagement</em>.</li>
<li><strong>Ethics and transparency</strong>: declare your sources, be careful with statements, and maintain consistency with your values as a communications agency.</li>
</ul>
<h2>How to organise your blog within a communications agency&#8217;s strategy</h2>
<p>An agency&#8217;s communications blog should serve three simultaneous purposes:</p>
<ol>
<li><strong>Own brand</strong>: for the agency to build authority and reputation.</li>
<li><strong>Value for customers and the sector</strong>: topics of interest to both end consumers and professionals in the sector, as well as those who are currently in training.</li>
<li><strong>Lead generation / visibility</strong>: content that attracts qualified traffic, positioning the agency as a benchmark.</li>
</ol>
<p>For this purpose, we recommend:</p>
<ul>
<li>Create an <strong>editorial calendar</strong> for, at least 3 months, although not losing sight of current events, which can be sent to drift part of the forecast that you have made.</li>
<li>Devote a percentage of your time to researching what is coming: trends, AI, ethics, regulation, etc., without losing sight of case studies, changes in regulation, best practices, etc.</li>
<li>Involve the team to generate a variety of voices, fields of knowledge, and areas of expertise. It is wonderful to see how, when we step outside our daily routine, we can feel the power that we all have within us.</li>
<li><strong>Regularly review old posts</strong> to update them — especially in a fast-changing sector. Let&#8217;s not disregard the work we&#8217;ve done.</li>
</ul>
<h2>Conclusion: continue writing for pleasure, but also as a strategic act.</h2>
<p>Maintaining the Agencia comma blog for more than 14 years has not only been an exercise in discipline or a strategic move. It is a commitment, a key element in resisting (AI, falsehoods, noise) and moving forward (authority, visibility, reputation). But it is also a pleasure. The pleasure of writing.</p>
<p>If you are a communications professional or agency considering starting a blog, do so with purpose, consistency, and your own voice. And do so knowing that you are sowing the seeds for a future where quality, consistency, and authority will make all the difference. If you already have a blog but are not paying attention to it, reconsider. Remember: everything communicates.</p>
<p>Writing well is (or should be) part of what it means to be a communicator today. And Comma continues here, with the blog, without missing a week, to continue telling, analysing and accompanying this sector that we love so much and that never ceases to challenge us.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-31948" src="https://agenciacomma.com/wp-content/uploads/Razon-de-ser-de-un-blog-de-comunicacion-Cita-EN.png" alt="" width="1450" height="357" srcset="https://agenciacomma.com/wp-content/uploads/Razon-de-ser-de-un-blog-de-comunicacion-Cita-EN.png 1450w, https://agenciacomma.com/wp-content/uploads/Razon-de-ser-de-un-blog-de-comunicacion-Cita-EN-300x74.png 300w, https://agenciacomma.com/wp-content/uploads/Razon-de-ser-de-un-blog-de-comunicacion-Cita-EN-1024x252.png 1024w, https://agenciacomma.com/wp-content/uploads/Razon-de-ser-de-un-blog-de-comunicacion-Cita-EN-768x189.png 768w" sizes="(max-width: 1450px) 100vw, 1450px" /></p>
<p>&nbsp;</p>
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<div class="gsp_post_data" 
	            data-post_type="post" 
	            data-cat="content-creation" 
	            data-modified="120"
	            data-created="1762331428"
	            data-title="Reason for being of a blog about communication" 
	            data-home="https://agenciacomma.com/en/"></div><p>La entrada <a href="https://agenciacomma.com/en/content-creation/reason-for-being-of-a-communications-blog/">Reason for being of a blog about communication</a> se publicó primero en <a href="https://agenciacomma.com/en/">Agencia comma</a>.</p>
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